SUNDAY 27-1-13 POETRY, DEPTH, FEELINGS, ETC

POETRY LANGUAGE IS SYNAESTHESIA, USING ONE SENSE FOR ANOTHER SENSE, LIKE SEEING THE SOUND, TOUCH, OR TOUCHING THE VISION
IT IS HIGH ABSTRACTION METAPHOR WITH LOW ABSTRACTION STRUCTURE.
IT IS HIGH ABSTRACTION METAPHOR WITH LOW ABSTRACTION COMPARISON/ASSOCIATION/CONVERSION
TURNING ABSTRACT EXPERIENCE INTO SENSE EXPERIENCE
LIKE FEELING
TO GIVE LANGUAGE AND MEANING TO TALK ABOUT THE EXPERIENCE, LIKE SPIRITUAL LANGUAGE ENABLE US TO TALK ABOUT ABSTRACT EXPERIENCE
TO GIVE MEANING TO EXPERIENCE.

POETRY  RELY ON FIRST IMPRESSION, THE EFFECT WEAR OFF AFTER A WHILE.
IF IT IS OVERUSED OR ABUSED AS SYMBOLS, LIKE RAYUAN GOMBAL

A PERSON IS DEEP OR SUPERFICIAL DEPENDS ON THE FACTORS HE CONSIDER AND THE LEVEL OF ABSTRACTION HE USE
A SUPERFICIAL PERSON CONSIDER LESS FACTOR AND DEAD LOW LEVEL OF ABSTRACTION.
A DEEP PERSON CONSIDER LOTS MORE FACTORS AND DEAD HIGH LEVEL OF ABSTRACTION

TWO BASIC FEELINGS ARE  SEEKING AND FEAR
IN SEEKING MODE, WE "GET SUCKED INTO THE EXPERIENCE", FORGET THE TIME AND PLACE AND JUST FOCUS ON THE OBJECTS

IN FEAR MODE, WE "STEP BACK FROM THE EXPERIENCE" TO REFLECT (LEARN) OR ANTICIPATE (USE WHAT WE LEARN) TO COMPLEMENT/IMPROVE THE EXPERIENCE. IT IS LIKE GRIEF. THIS IS THE COMMENTARY/3RD PERSON PERCEPTION WHERE WE IDENTIFY WITH THE EXPERIENCE. WE USE FEELING TO "SCAN/GET THE FEEL/DETECT" THE DANGER/FRIENDLY AND SUGGEST TO CHANGE THE COURSE.